![]() They are almost cape like at the front where the fall over the arm with a pretty ruffle effect. It has an unusual design with the sleeves. It is lined in an even lighter weight tissue silk and silk chiffon combination so feels like heaven on. So once on the body it feels like nothing. It is not a runway piece but one of those great little dresses that would have been made for retail. This is a fabulous looking dress that was released for the Pre-fall or Fall that year. ![]() ![]() Thoroughly checked over before shipping, it will be ready to wear upon arrival. This garment has been professionally cleaned, pressed and is odor free. (3) 1976 Yves Saint Laurent Peasant collection for American Vogue. (2) 1977 Yves Saint Laurent Rive Gauche Ad. Reference Photos: (1) F/W 1976-77 Yves Saint Laurent evening ensembles from The MET Collection online. Perhaps a touch of grubbiness to the braiding but no true flaws The total length including the ties is 67". Marked a brand size 2 and measures 25" from end to end of the actual belt part and then the braided ties extend a 21" on either side. This is an important piece of fashion history and a rare find. It simply wraps and ties at the front and can top just about anything. At the end of each tie is a knot and a large glossy red bead. It is trimmed with a red, white and blue braiding with long red and blue braided ties. This one is a beautiful cool red canvas on a red leather base combination. ![]() You can see in the reference photos how this style of belt was used in a variety of colors and finishing details to perfectly set off the collection. Amid the automated crossbeams of lights swiveling from the floor, he began with reams of micro shorts and Bermuda cutoff jeans riffs on tailored jackets Betty Catroux sunglasses and slick, funnel-leg Western boots.Īfter nailing that message (a believable one, since all girls have been addicted to tiny shorts this summer), the segue to hippie glam-the style that Yves Saint Laurent elevated from the street in 1976-began with turban-tied Lurex head scarves and then moved into an extended run of gorgeous gold paisley embroidered dresses, tissue-like chiffon blouses, pleated lamé skirts, peasant smocks, and off-the-shoulder gathered necklines.This is an incredible belt by Yves Saint Laurent and dates to the time period from when he was creating his famous Russian collection. Yet for all that, everything that took place on that runway tonight centered around what Yves Saint Laurent did in the 20th century-his Le Smokings and his hippie deluxe Russian collection-and how Vaccarello systematically retools, rechannels, and reiterates it for a new generation. As a phenomenon, it could fuel any number of case studies about how the exclusionary hierarchies of luxury fashion have fallen and dissolved into irrelevance in today’s digital world. In the experiential stakes, public visibility of Saint Laurent under Anthony Vaccarello’s creative directorship reaches for miles and miles across the center of Paris it’s an event that gathers hundreds of onlookers, who sit on the walls opposite to see the models passing by. Somehow, the Saint Laurent show sensation has morphed into something between an open-air city spectacle, a rock concert, and a brand power rally. Pillars of white light strafed the night sky from a vast black stadium erected opposite the Eiffel Tower.
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